1983年深秋的上海，几个身世不同的农村姑娘进入了这座大城市，在一栋公寓里当保姆。梁玉芬没有泯灭对知识的渴望，她最终摆脱了逃婚的被动局面，争得了主宰自己的权利。小琴很快交上了男友，她的轻浮举止和虚荣心受到了无情的惩罚，从此开始正式思索人生。秀娥在这些年轻的保姆中颇有主见，但有贪小便宜的毛病，她在这个与人为善的环境里得到感化。中年保姆惠芳的婆婆重男轻女，丈夫硬是把刚出生的女儿送了人，陈院长帮助了她。四个保姆开始了崭新的生活。

1983年深秋的上海，几个身世不同的农村姑娘进入了这座大城市，在一栋公寓里当保姆。梁玉芬没有泯灭对知识的渴望，她最终摆脱了逃婚的被动局面，争得了主宰自己的权利。小琴很快交上了男友，她的轻浮举止和虚荣心受到了无情的惩罚，从此开始正式思索人生。秀娥在这些年轻的保姆中颇有主见，但有贪小便宜的毛病，她在这个与人为善的环境里得到感化。中年保姆惠芳的婆婆重男轻女，丈夫硬是把刚出生的女儿送了人，陈院长帮助了她。四个保姆开始了崭新的生活。

世珍（高小英）独自住在一幢高层豪华公寓中的一间。某日深夜，拖着疲惫身躯在地铁站等车时，一神秘女子突然将她拉住欲一起跳轨，惊魂甫定，女子已命丧黄泉。加上工作中为如何布置橱窗以迎即将到来的圣诞节与合作伙伴发生冲突，她开始夜夜被噩梦折磨。勉强称作开心的事，是某日晨跑时结识住于对面公寓的残疾女孩柔妍（张熙珍）。柔妍自言父母虽然双亡，却托好心邻居照料活得幸福，并在谈话结束一刻，相交她一个魔方。 　　世珍察觉到柔妍所住的房间有异样，之后用望远镜夜夜观察，更发现时间每走到9点56分，整幢公寓便会齐齐熄灯，而次日清晨，会有一具尸体被拖出。世珍的行为被女高中生（朴夏善）发现并告知母亲，其母报警，但世珍没将警察的警告当回事。不久，女高中生主动向世珍道歉，两人成为朋友，而她屡屡玩不转魔方令世珍发现藏于其中的与柔妍有关的秘密，倒吸一口凉气。

一栋公寓里发生的小事：老奶奶的隔壁邻居是一个壮年男子，他酷爱在洗澡的时候展现自己的歌喉，当他再一次引起邻居不满的时候，猫咪从窗口掉了下去，骑摩托车的PIZZA快递员遭了秧……蝴蝶效应慢慢展开，厄运慢慢向肇事者逼近。 　　《Le Building》是部综合运用创作手法的经典法国风格动画短片，影片色彩明快，节奏紧凑，看过此片的人，相信都会赞叹导演的巧妙心思和动画师的动作及原画设定。影片运用了非常有趣的镜头切换方式，二维和三维的结合也十分巧妙。

A nondescript man is trapped in a sinister flat, where nothing seems to obey the laws of nature.

One beautiful autumn morning, a man wakes up next to his wife. After taking out the garbage, he shaves and apparently prepares to go on a voyage, The two are having breakfast, without a word. The radio hums cheerful morning songs. A routine ritual. The man then leaves. He takes the elevator, waves at his wife after exiting the building, but he makes a turn, enters the building from the back entrance, takes the elevator and stops a few floors up from his apartment. His mistress opens him. The next morning, the ritual is almost the same....

自从20世纪30年代的主人公的祖父母移民到巴勒斯坦，他们就一直住在特拉维夫一栋包豪斯式建筑的三层。如果不堪窗外的风景，就会有置身于柏林某座公寓的错觉。奶奶98岁的时候去世了，去世之前，她要求她的子孙去他们的公寓里清理留下的东西：物件、相片、信件以及文件等等。整理这些物品的过程，让人们再次回顾了那些多灾多难并且不为人知的过去⋯⋯

One beautiful autumn morning, a man wakes up next to his wife. After taking out the garbage, he shaves and apparently prepares to go on a voyage, The two are having breakfast, without a word. The radio hums cheerful morning songs. A routine ritual. The man then leaves. He takes the elevator, waves at his wife after exiting the building, but he makes a turn, enters the building from the back entrance, takes the elevator and stops a few floors up from his apartment. His mistress opens him. The next morning, the ritual is almost the same....

Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. 　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.